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Diversification among the Legends

Diversification  among  the  Legends …

The great poet Sahir Ludhianvi summed up the hopes, dreams and aspirations of poets – budding and established alike – in the great lyric ‘mein pal do pal kaa shaayar hoon’ (I am a poet for only a second or two) for the movie ‘Kabhi Kabhi’.

mujhse pehle kitne shaayar aaye aur aakar chale gaye
kuch aahen bharkar chale gaye kuch nagme gaakar chale gaye

How may poets have come before me passed on after passing on dulcet melodies ..

Identity becomes a pressing issue when it comes to poets and their poetry. At its basic level, the human emotions, divided into 9 categories (navarasamulu), are finite, and same goes with the expressions, the number of metaphors, similes and other contrivances and conveniences offered by the language. All these are limited in number. If one takes into account all the glorious, wonderful, unique expression, both in prose and poetry, that have so far been immortalized in the language by the celebrated poets, authors and lyricists thus far, consider the inordinate odds already stacked against the new lyricist, even before he has put his pen on the paper.

Every expression has already been spoken for/about, every situation has already been written about, every possible connection has already been made. Under such circumstances, if a song were to rise above its general utilitarian level to a memorable work of art, what is that essential ingredient, apart from the situation and tune, that elevates it to poetry?

writing songs

writing songs

If the level of intellect, the facility of language and the usage of it is assumed to being more or less the same for all the famous lyricists, what distinguishes Aatreya’s poetry from SriSri’s songs, what sets Veturi apart and what makes Devulapalli stand out? Pat comes the reply – the underlying philosophy (tatwam). While Aatreya was synonymous with recounting the travails of the troubled heart, SriSri went about highlighting the plights of the under-privileged even in soft numbers; while Devulapalli was famous with evoking the most tender of feelings even from the mundane of things, Veturi was adept at forging words to suit his purpose. Over an oeuvre, a pattern would emerge springing from the ideology that the poet truly believes in.

And though Sirivennela’s philosophy pronouncedly marks optimism as the single trait that strings it all, a closer observation reveals a more intricate design, one of constant struggle. And it is this struggle – against the surroundings, status-quo and sometimes against the very self – that lends the meaning and purpose (or in SriSri’s words ‘SOdhinchi saadhinchaali, adiyae dheeraguNam’ in the song ‘kalakaanidi viluvainadi’ (velugu neeDalu).

However much the poetry in ’sirivennela’ can lauded for its beauty and its ethereal nature, it is in fact ’swarNa kamalam’ that brings to the fore the essential philosophy of Sirvennela’s poetry, and his dogged dedication to the cause of struggle (loosely translating in spirit to ’saadhana’, ‘Srama’, even if they aren’t true synonyms to the word). The theme of ’swarNa kamalam’ is self-realization/self-actualization, it is about recognizing the self-worth. This situation is both a dream and a nightmare to the poet.

Usually every song has a perspective, in that, the narrative is very subjective (excluding duets, of course). The poet picks a side and pens the song from that angle. But ’swarNa kamalam’ isn’t about the standard good vs bad argument, it about the complex and the eternal free will vs structure debate, and the challenge for the poet is to remain impartial, presenting both sides of the argument in an equally valid and logical way.

In Gita, it is said that there are two ways to attain salvation – one is realization (karma aacharaNam) and the other is renunciation (karma sansyaasam). If the goal is to unfetter the mind and remain unattached to the proceedings, the easy way is to not do anything, which automatically distances oneself from the results, and thereby from any emotion caused thereof. The second method is going through the rigor, but remaining detached from the results. It is this method that exemplifies the human cause and the indomitable human spirit and therefore preferred as the better alternative to renunciation

Continued…

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